He secured a position as a programmer and orchestrator for Graeme Revell, helping the composer achieve the effective textures and stylish atmospheres to such films as SPAWN (1997), PITCH BLACK (2000), RED PLANET (2000), and TOMB RAIDER (2001). After leaving Tangerine Dream in late 1990, Haslinger released a trio of solo albums and scored two animated sci-fi shorts on his own, PLANETARY TRAVELER (1997) and INFINITY’S CHILD (1999) for Jan Nickman. As a member of the pioneering electronic band, Tangerine Dream, for five years during the 1980s, Haslinger contributed to four very successful albums and a number of films, including Kathryn Bigelow’s NEAR DARK (1987). Austrian-born composer Paul Haslinger gained an interest in the new realm of electronic music while studying music in Salzberg and Vienna.
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